Welcome back friends! Last time I know I teased something about having a new manip in the works. I believe I said something about having a seed of an idea and that I was gonna take another crack at writing it. Well I did that. And then I did a LOT more of it. I woke a sleeping giant trying to write this latest piece. It became one of THOSE projects. Those projects that aren’t done until they decide to be.
Anyway, it decided that its done! Read on for my (lengthy) director’s commentary but first, please go check out The Good Doctor, I do hope you like it!
So, right off the bat lets talk names. Last time, I mentioned that the seed of inspiration I was going to take into my third pass at writing was that the manip called to mind golden age Hollywood cinema. There’s a number of memorable hypnosis scenes from that classic, black & white era and, appropriately, a number of memorable hypnotists to go with them.
All of the names that appear in the manip were derived from three wonderful actors and the characters they portrayed:
- Gloria Holden playing the Countess Marya Zaleska in Dracula’s Daughter (1936). The tag line for the film is (I kid you not) “She gives you that WEIRD FEELING!” When I saw the movie as a younger man, with its very memorable woman-on-woman hypnosis scene, it definitely gave me that. 😉
- Gale Sondergaard as Catherine Vail in the Hope & Crosby romp Road to Rio (1947). In this flick, Sondergaard plays an evil aunt who is using her hypnotic powers to condition her niece into signing some papers so she can marry the young woman off in some way that will benefit only herself.
- Lenore Aubert as Dr Sandra Mornay in Abbott and Costello Meet Frankenstein (1948). While the devious Dr Mornay isn’t exactly a hypnodomme, the plot does hinge on her seductive manipulation of Abbott’s character. There’s a fair amount of hypnosis that goes on too, courtesy of Bela Lugosi’s Count Dracula. The scene that especially stayed with me over the years was when Dr Mornay became a bit uncooperative and Dracula entranced her and bent her to his will. It tickles my “broken domme” button just enough to still seem hot.
The names aren’t the only thing that these formative films contributed. I was also trying to bring in a period sensibility to the characters and dialog. In my mind’s eye the “acting” is very obvious and the dialog just a bit conspicuous… as was the norm in that era.
I don’t know if that comes across as intended but that’s what I was going for. Thinking about these films and the characters in them ended up being a very big part of the inspiration for the writing. Though, it was certainly an odyssey getting there.
These past couple of weeks, working on this manip has been an interesting journey. I’d really hoped to have had three new updates in three weeks. That would’ve felt like a nice achievement. So, I picked out an image that I’d come across and manipulated months ago. I figured the “hard” work was already done, all I needed to do was write a little caption to go with it.
So, monumentally naive of me.
